Apollo Art Auctions unveils magnificent trove of curated, fully authenticated ancient art and antiquities for November 13 sale
Featured: Roman Imperial marble bust of Empress Julia Domna, very rare Apulian and Lucanian painted vessels, Chinese terracotta camel, Gandharan Buddha, and inlaid Viking swordLONDON – Apollo Art Auctions, the connoisseur’s choice for authentic, expertly vetted ancient art and antiquities, takes pleasure in announcing highlights of its November 13 gallery auction, with all forms of remote bidding available, including live via the Internet. Roman Imperial marble bust likely depicting Empress Julia Domna, wife of Septimus Severus late 2nd century AD. Size: 320mm (12.6in) high; 2.45kg (5lbs. 6oz). Provenance: property of a London doctor; New York private collection; Gorny & Mocsch, Munich; an old Bavarian collection. Estimate: £15,000-£30,000 ($17,415-$34,830)The sale is divided into three sections encompassing a diverse range of premium-quality artifacts from Classical Europe, Egypt and the Near East, as well as many select items from India and China. The 455-lot auction includes such coveted rarities as a Roman Imperial marble bust of Empress Julia Domna, a Rodin painter Apulian krater, a Lucanian red-figure hydria and Attic black-figure oinochoe; as well as a Chinese terracotta camel, seated Gandharan Buddha, and inlaid Viking sword.From the Roman Imperial period, late 2nd century AD, a beautifully carved marble bust is likely a representation of Empress Julia Domna, wife of Septimus Severus and mother of Caracalla and Geta. She is depicted with a serene expression, wearing a draped peplos (tunic), her hair arranged in the distinctive plaited and twisted hairstyle that was favored by the empress. It stands 320mm (12.6in) high and has extensive provenance including collections in London, New York and Munich. The pre-sale estimate is £15,000-£30,000 ($17,415-$34,830).Several exceptional examples of painted pottery lead the impressive array of ceramics. A very rare Apulian red-figure column krater, executed by a Rodin painter, dates to circa 380-360 BC and is richly illustrated with a scene that