Editor’s letter: July/August 2022
Editor-in-Chief Gregory Cerio. Journalism isn’t supposed to be fun. But it was a genuine pleasure working on our “Living with Antiques” cover story thanks to its subjects, Marc Brown and Laurene Krasny Brown, two remarkable people. They are warm, wise, generous, whip smart, intellectually curious, engaging, boundlessly patient—thank heaven—and they radiate creativity. Laurie is an artist whose primary medium is paper, while Marc is the creator of the Arthur children’s book and television series. (He also conceived the tableau of Shaker boxes for our cover.) You can see some of the Browns’ work on this page, and learn much more about them and their folk and self-taught art collection in Stacy C. Hollander’s excellent article, which is illustrated with superlative photos taken by Ellen McDermott with the help of Bridget Sciales. Patrick Bell, the proprietor, with Edwin Hild, of the esteemed folk art gallery Olde Hope Antiques, was instrumental to making this cover story possible, and my cup runneth over with gratitude. Thanks, Pat! Arthur Turns Green by Marc Brown. Word came in late May that a venerable member of our media tribe had passed away: Roger Angell, a longtime fiction editor for the New Yorker, who died at age 101. Though he blue-penciled the likes of Nabokov and Updike, most readers knew Angell chiefly for his sideline as the magazine’s baseball writer. At that job, he was the best—as most every other baseball writer will cheerfully tell you. Angell covered the game with extraordinary eloquence, insight, reportorial acumen, and—perhaps most importantly— with a fan’s passion. I am put in mind of a marvelous passage in one of Angell’s finest articles, “Agincourt and After,” an account of the epic 1975 World Series between the Cincinnati Reds and the Boston Red Sox. It is a rumination on fandom: What I do